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Parlophone company sleeves.

Published December 21st, 2011

The changes in company sleeve designs were similar to those of the other EMI labels and the changes between the different designs occurred at approximately the same times.

Type 1 sleeve. Blue, red, yellow and green multicolored sleeve designed in the late 50s to be used with the red label. Used from 1958 until 1963 with Parlophone series 45-R 4441 – 45-R 4988 including The Beatles singles 45-R 4949 “Love Me Do” and 45-R 4983 “Please Please Me”.

Type 2 sleeve. Multicolored striped sleeve. Used during the early 60s until 1963 with with Parlophone series 45-R 4441 – 45-R 4988 including The Beatles singles 45-R 4949 “Love Me Do” and 45-R 4983 “Please Please Me”.

There are some sleeves of Type 2 where the box with the Parlophone logo and the text “THIS RECORD MUST BE PLAYED AT 45 R.P.M.” is missing.

Type 3 sleeve. Dark green sleeve with white print and straight top. When Parlophone started with the silver & black labels they also redesigned their company sleeves. EMI introduced their record tokens on this sleeve and the price was 6/- to 50/-. Used from January 1963 to summer 1964 with Parlophone series R 4989 – R 5222 including The Beatles singles R 5015 “From Me To You”, R 5055 “She Loves You”, R 5084 “I Want To Hold Your Hand”, R 5114 “Can’t Buy Me Love”, R 5160 “A Hard Day’s Night” and R 5200 “I Feel Fine”.

Type 4 sleeve. Dark green sleeve with white print and wave top. The price for the EMI record tokens was 6/- to 50/- on the sleeve. Used from summer 1964 until November 1964 with Parlophone series R 5103 – R 5222 including The Beatles singles R 5114 “Can’t Buy Me Love”, R 5160 “A Hard Day’s Night” and R 5200 “I Feel Fine”.

Type 5 sleeve. Green sleeve with Parlophone and globe EMI logo. The copyright text below the logos is “THE PARLOPHONE CO. LTD”. The price for the EMI record tokens was 6/- to 50/- on the sleeve. Used from November 1964 until autumn 1965 with Parlophone series R 5103 – R 5389 including The Beatles singles R 5200 “I Feel Fine”, R 5265 “Ticket To Ride” and R 5305 “Help!”.

Type 6 sleeve. Green sleeve with Parlophone and globe EMI logo. The copyright text below the logos is “THE GRAMOPHONE CO. LTD”. The price for the EMI record tokens was 6/- to 50/- on the sleeve. Used from autumn 1965 until late 1965 with Parlophone series R 5225 – R 5788 including The Beatles single R 5389 “We Can Work It Out”.

Type 7 sleeve. Green sleeve with black Parlophone logo and “Fran The Fan” advertisement on the back. Three different “Fran The Fan” cartoons in green and black advertise Morphy-Richards hair products on the back of the sleeves. The price for the EMI record tokens was 6/- to 50/- on the sleeve. Used from late 1965 until 1968 with Parlophone series R 5225 – R 5788 including The Beatles singles R 5389 “We Can Work It Out”, R 5452 “Paperback Writer”, R 5493 “Eleanor Rigby”, R 5620 “All You Need Is Love”, R 5655 “Hello Goodbye” and R 5675 “Lady Madonna”.

First version:

Second version:

Third version:

Type 8 sleeve. Green sleeve with green Parlophone logo on the front and “Miners” advertisement on the back. The price for the EMI record tokens was 6/- to 50/- on the sleeve. Used from late 1965 until 1968 with Parlophone series R 5225 – R 5788 including The Beatles singles R 5452 “Paperback Writer”, R 5493 “Eleanor Rigby”, R 5620 “All You Need Is Love”, R 5655 “Hello Goodbye” and R 5675 “Lady Madonna”.

Type 9 sleeve. Green sleeve with green Parlophone logo on the front and “Miners” advertisement on the back. The price for the EMI record tokens was 7/3 to 50/- on the sleeve. Used from 1966 until 1968 with Parlophone series R 5357 – R 5788 including The Beatles singles R 5452 “Paperback Writer”, R 5493 “Eleanor Rigby”, R 5620 “All You Need Is Love”, R 5655 “Hello Goodbye” and R 5675 “Lady Madonna”.

Type 10 sleeve. Green sleeve with green Parlophone logo on the front and “Miners” advertisement on the back. The price for the EMI record tokens was 7/3 to 50/- on the sleeve. Used from 1966 until 1968 with Parlophone series R 5357 – R 5788 including The Beatles singles R 5452 “Paperback Writer”, R 5493 “Eleanor Rigby”, R 5620 “All You Need Is Love”, R 5655 “Hello Goodbye” and R 5675 “Lady Madonna”.

Type 11 sleeve. Green sleeve with Parlophone and globe EMI logo. The copyright text below the logos is “THE GRAMOPHONE CO. LTD”. The price for the EMI record tokens was 7/3- to 50/- on the sleeve. Used from 1966 until 1968 with Parlophone series R 5357 – R 5788 including The Beatles singles R 5452 “Paperback Writer”, R 5493 “Eleanor Rigby”, R 5620 “All You Need Is Love”, R 5655 “Hello Goodbye” and R 5675 “Lady Madonna”.

Type 12 sleeve. Green sleeve with Parlophone and swirl. These were at least two different backsides used this sleeve design, advertising different LPs. Used from 1968 with Parlophone series R 5357 – R 5931 including The Beatles singles re-issued 1969.

First version:

Second version:

Love Me Do / P.S. I Love You, Parlophone R 4949.

Published December 20th, 2011

The Beatles first single was released on October 5, 1962. The Beatles first entered EMI Studios on Abbey Road on June 6, 1962, when the band’s lineup was John Lennon on rhythm guitar, Paul McCartney on bass, George Harrison on lead guitar and Pete Best on drums. Four songs were recorded that day: “Besame Mucho”, “Love Me Do”, “P.S. I Love You” and “Ask Me Why”. In August, 1962, Pete Best was fired and replaced by Ringo Starr. On September 4, 1962, the Beatles returned to Abbey Road to record their first single. The Beatles recorded a number of takes of “Love Me Do” and, much against their wishes, “How Do You Do It”. Ringo played drums. On September 11, 1962, the Beatles recorded “Love Me Do”, “P.S. I Love You” and “Please Please Me”, which features Paul on lead vocal and bass, supported by John and George on backing vocals and guitars. Andy White, the drummer of the studio, plays the drums. Ringo played tambourine and maracas. But on the first pressings used the version of “Love Me Do” with Ringo’s drumming recorded on September 4.

Demo: The demo copy, was reportedly one of just 250 made for radio station airplay in 1962. Demo copies miscredit McCartney as McArtney. The records were housed in a special blue “Top Pop” sleeve.

1. First pressing, 45-R 4949, October 5, 1962. The records were housed in Type 1 or Type 2 company sleeves. Red label with silver print. Catalog number with 45 prefix. These labels have “PARLOPHONE” in large stylized letters at the top and the Parlophone £ logo at 3 o’clock. The publishing year was printed on the label, as “RECORDING FIRST PUBLISHED 1962″. Red label pressings can be found with ZT, WOZT, MPZT or PT tax code, or without. Matrix numbers: Side A: 7XCE 17144-1N, Side B: 7XCE 17145-1N.

Type 1 labels have “MADE IN GT. BRITAIN” printed below the Parlophone £ logo:

Type 2 labels do not have “MADE IN GT. BRITAIN”:

2. Second pressing, R 4949, autumn 1963. Standard procedure at Abbey Road Studios at the time was to erase the original two-track session tape for singles once they had been “mixed down” to the (usually monaural) master tape used to press records. This was the fate of two Beatles singles (four songs): “Love Me Do”, “P.S. I Love You”, “She Loves You”, and “I’ll Get You”. However, at some point the mixdown master tape for this song was also lost, and apparently no backup copies had been made. Thus, for many years the only extant recorded copies were the red label Parlophone 45 rpm vinyl records pressed in 1962. By the time the tapes had disappeared, the song’s 11 September 1962 remake featuring Andy White had been released. EMI would not have been too concerned about the loss of the 4 September take, therefore, as it was now considered obsolete, and they may not have anticipated ever having any use for it again anyway.

The original tape of “Love Me Do” It was removed at the time the Beatles’ Hits EP came out (August-September 1963). Therefore, for the second press “Love Me Do” was used Andy White version. In 1967, when Ringo’s version was discontinued from the EMI catalog, the lacquer, mother, and all stampers for the UK 45 were destroyed, thus making it impossible to press any further first-generation releases.

Black label with silver print. The publishing year was printed on the label, as “RECORDING FIRST PUBLISHED 1962″. “Parlophone Co. Ltd” printed at the start perimeter print. Can be found with PT, MT, MPT or KT tax code. Push-out center. Matrix numbers: Side A: 7XCE 17144-1N, Side B: 7XCE 17145-1N.

3. Third pressing, R 4949, 1964. Black label with silver print. The publishing year was printed on the label, as “RECORDING FIRST PUBLISHED 1962” and “SOLD IN U.K. SUBJECT TO RESALE PRICE CONDITIONS, SEE PRICE LISTS” text. Tax code KT. Push-out center. Matrix numbers: Side A: 7XCE 17144-1N, Side B: 7XCE 17145-1N.

Type 1 labels have “Parlophone Co. Ltd” printed at the start perimeter print:

Type 2 labels have a fully capitalized “PARLOPHONE CO. LTD” printed at the start perimeter print and PARLOPHONE TRADEMARK logo’s are now smaller:

4. Fourth pressing, R 4949, March 6, 1976. From “The Beatles Singles Collection 1962-1970″ box set (BS-24). These pressings have original top-opening sleeve with green front and pictures back.

Black label with silver EMI logo and silver print. “THE EMI RECORDS LTD” printed at the start perimeter print and “MADE IN GT BRITAIN” printed at the end of the perimeter print. Publishing year printed as: (p) 1962. Matrix numbers: Side A: 7XCE 17144-2, Side B: 7XCE 17145-2.

5. Fifth pressing, October 5, 1982. 20th Anniversary edition “Special 12” Single Featuring Rare Recording Of “love Me Do”, Parlophone 12R4949. The single contains both versions of “Love Me Do” recorded on September 4 and September 11, 1962. These pressings have original side-opening pictures sleeve.

Matrix numbers: Side 1: 12R4949 A-1-1-1 / Side 2: 12R4949 B-1-1-1.

6. Sixth pressing, 45-R 4949, December 6, 1982. From “The Beatles Singles Collection” blue box set (BSCP-1). These pressings have original top-opening pictures sleeve.

Returned at the old style. Red label with silver print. These labels have “PARLOPHONE” in large stylized letters at the top and side numbers as ‘A’ SIDE and ‘B’ SIDE, A SIDE and B SIDE and PRODUCED BY GEORGE MARTIN credit. “Manufactured In The UK by EMI Records” printed at the start perimeter print. Matrix numbers: Side A: 7XCE 17144-2, Side B: 7XCE 17145-2.

Swedish sleeve. In 1987, in Sweden, the 25th anniversary the single was re-released with a new alternative picture sleeve. Only 1,000 copies were made. On the front side was appeared the Beatles’ live photo from TV-programme “Drop In”, Stockholm 1963. Photographer: Michael Nordstrem. On the back side appeared review of Artillo Bergholtz. All sleeves have a unique number written by hand felt-tip pen on the back side. Set was distributed with the similar English 7″ single. Part of the edition was sold in the UK.

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7. Seventh pressing beginning of the 90s. Same top-opening pictures sleeve as 6th pressing, but with bar code on the reverse.

The final pressing has silver label with black textur print and logo. Rimtext embossed on the trail off area. The rimtext wording is: “UNAUTHORISED COPYING, HIRING, RENTING, PUBLIC PERFORMANCE AND BROADCASTING”. Matrix numbers: Side A: 7XCE 17144-2-1-Q1, Side B: 7XCE 17145-2-1-Q1.  Late pressing: 7XCE 17144-5-1-Q2 / 7XCE 17145-3-1-Q2.

8. Eighth pressing October 5, 2012. Parlophone R4949/R4714 (5099901740172). Issue and released as a limited edition to mark the 50th Anniversary of the original release on 5 October 1962. This is a replica of the original single in the original colourful “beach towel” Parlophone company sleeve. The audio is taken from the mono remaster of 2009. This is a replica of the original single in the original colourful “beach towel” Parlophone company sleeve. The sleeve is made of a cardboard and has a bar code in difference from the paper original.

Variation A. Andy White mispressing, October 5, 2012. Issued to record dealers in the week commencing 1st October for official release on 5th October, the single was then recalled by EMI when it was discovered they had mistakenly used the version of Love Me Do that features Andy White on drums, and had erroneously used catalogue number R 4714 on the B Side (R 4714 belongs to a 1960 Matt Monro release). EMI apparently announced that it was under strict instructions from The Beatles’ Apple label to destroy copies of the single.

Matrix numbers (hand etched): Side A: BC88258-01A1 0174017, Side B: BC88258-01B1 0174017.

Variation B. Ringo pressing, October 22, 2012. EMI reissued the single on 22nd October with the version of Love Me Do that features Ringo on drums, although the B Side still carries the wrong catalogue number R 4714. Not clearly why so it turned out after all labels obviously were reprinted. This release has shinier/glossier silver print on the label which is much clearer.

Matrix numbers (hand etched): Side A: BC91232-01A1 0174017, Side B: BC88258-01B1 0174017.

Please, Please Me / Ask Me Why, Parlophone R 4983.

Published December 20th, 2011

Demo: Corect credits McCartney – Lennon. The records were housed in a special blue “Top Pop” sleeve.

1. First pressing, 45-R 4983, January 11, 1963. The records were housed in Type 1 or Type 2 company sleeves. Red label with silver print. 45-R prefix in record number. These labels have “PARLOPHONE” in large stylized letters at the top and the Parlophone £ logo at 3 o’clock. The publishing year was printed on the label, as “RECORDING FIRST PUBLISHED 1963″. Red label pressings can be found with ZT, MT, MPT and PT tax code, or without. Matrix numbers: Side A: 7XCE 17217-1N, Side B: 7XCE 17218-1N.

Type 1 labels have “MADE IN GT. BRITAIN” printed below the Parlophone £ logo:

Type 2 labels do not have “MADE IN GT. BRITAIN”:

2. Second pressing, 45-R 4983, spring 1963. Black label with silver print. 45-R prefix in record number. The publishing year was printed on the label, as “RECORDING FIRST PUBLISHED 1963″. “Parlophone Co. Ltd” printed at the start perimeter print. Can be found with PT, MPT or MT tax code. Push-out center. Matrix numbers: Side A: 7XCE 17217-1N, Side B: 7XCE 17218-1N.

3. Third pressing, R 4983, sammer – autumn 1963. Black label with silver print. The publishing year was printed on the label, as “RECORDING FIRST PUBLISHED 1963″. “Parlophone Co. Ltd” printed at the start perimeter print. Can be found with MPT, MT or KT tax code. Push-out center. Matrix numbers: Side A: 7XCE 17217-1N, Side B: 7XCE 17218-1N.

4. Fourth pressing, R 4983, 1964. Black label with silver print. The publishing year was printed on the label, as “RECORDING FIRST PUBLISHED 1963″ and “SOLD IN U.K. SUBJECT TO RESALE PRICE CONDITIONS, SEE PRICE LISTS” text. Tax code KT. Matrix numbers: Side A: 7XCE 17217-1N, Side B: 7XCE 17218-1N.

Type 1 labels have “Parlophone Co. Ltd” printed at the start perimeter print:

Type 2 labels have a fully capitalized “PARLOPHONE CO. LTD” printed at the start perimeter print and PARLOPHONE TRADEMARK logo’s are now smaller:

5. Fifth pressing, R 4983, March 6, 1976. From “The Beatles Singles Collection 1962-1970″ box set (BS-24). These pressings have original top-opening sleeve with green front and pictures back.

Black label with silver EMI logo and silver print. “THE EMI RECORDS LTD” printed at the start perimeter print and “MADE IN GT BRITAIN” printed at the end of the perimeter print. Publishing year printed as: (p) 1963. Matrix numbers: Side A: 7XCE 17217-2, Side B: 7XCE 17218-2.

6. Sixth pressing, 45-R 4983, December 6, 1982. From “The Beatles Singles Collection” blue box set (BSCP-1). These pressings have original top-opening pictures sleeve.

Returned at the old style. Red label with silver print. These labels have “PARLOPHONE” in large stylized letters at the top and side numbers as ‘A’ SIDE and ‘B’ SIDE and PRODUCED BY GEORGE MARTIN credit. “Manufactured In The UK by EMI Records” printed at the start perimeter print. Matrix numbers: Side A: 7XCE 17217-3, Side B: 7XCE 17218-3.

Push-out center and dark grey prints: :

Solid center and light grey prints:

photos of Ross Penman.

7. Seventh pressing beginning of the 90s. The final pressing has silver label with black textur print and logo. Rimtext embossed on the trail off area. The rimtext wording is: “UNAUTHORISED COPYING, HIRING, RENTING, PUBLIC PERFORMANCE AND BROADCASTING”.

From Me To You / Thank You Girl, Parlophone R 5015.

Published December 20th, 2011

Demo: McCartney – Lennon credits. The records were housed in a special blue “Top Pop” sleeve.

1. First pressing, April 11, 1963. The records were housed in the Type 3 company sleeves. Black label with silver print. The publishing year was printed on the label, as “RECORDING FIRST PUBLISHED 1963″. Can be found with MPT, MT or KT tax code. Push-out center. Matrix numbers: Side A: 7XCE 17329-1N, Side B: 7XCE 17330-1N.

Type 1 labels have “Parlophone Co. Ltd” printed at the start perimeter print and “RECORDING FIRST PUBLISHED 1963″ below the matrix number:

Type 2 labels have a fully capitalized “PARLOPHONE CO. LTD” printed at the start perimeter print and “RECORDING FIRST PUBLISHED 1963” above the matrix number:

2. Second pressing, March 6, 1976. From “The Beatles Singles Collection 1962-1970″ box set (BS-24). These pressings have original top-opening sleeve with green front and pictures back.

Black label with silver EMI logo and silver print. “THE EMI RECORDS LTD” printed at the start perimeter print and “MADE IN GT BRITAIN” printed at the end of the perimeter print. Publishing year printed as: (p) 1963. Matrix numbers: Side A: 7XCE 17329-2, Side B: 7XCE 17330-2.

3. Third pressing, December 6, 1982. From “The Beatles Singles Collection” blue box set (BSCP-1). These pressings have original top-opening pictures sleeve.

Black label with silver EMI logo and silver print.ALL RIGHTS OF THE PRODUCER” printed at the start perimeter print. Importantly, around the 11 o’clock position in the rimtext the wording is:UNAUTHORISED PUBLIC PERFORMANCE, BROADCASTING, COPYING AND HIRING”. Instead, added “MANUFACTURED IN THE UK BY EMI RECORDS LIMITED” text at the end of the perimeter print. Matrix numbers: Side A: 7XCE 17329-2, Side B: 7XCE 17330-2.

5. Fifth pressing beginning of the 90s. The final pressing has silver label with black textur print and logo. Rimtext embossed on the trail off area. The rimtext wording is: “UNAUTHORISED COPYING, HIRING, RENTING, PUBLIC PERFORMANCE AND BROADCASTING”.

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