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Published May 1st, 2007 | Edit |

This is a private records collection of The Beatles. The owner of this collection is sure that this site will provide lots of useful information for people interested in collecting of Beatles vinyl. Information - is the main purpose of the site, however some things will be released for sale. All rights reserved copying, broadcasting and the publication of materials from this site is possible from the sanction of the owner of the site only. The collection will be always updated.

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Beatles Sessions, EMI Parlophone OC 064 2402701.

Published October 29th, 2016

Unreleased. The “Beatles Sessions” was a compilation album by The Beatles planned for release by EMI in 1985, but never issued due to objections by the surviving Beatles. The album consisted of thirteen finished, but unreleased, Beatles songs. A single – “Leave My Kitten Alone“, with an alternative version of “Ob-La-Di, Ob-La-Da“, which was not to appear on the album, as its B-side—was also planned, but it too was left unissued.

Come and Get It” was a demo recording performed by Paul McCartney solo and eventually handed over to and recorded by the group Badfinger. George Harrison would re-record “Not Guilty” on his album George Harrison in 1979. “How Do You Do It?” had been recorded for a possible early single at the request of George Martin, but scrapped in favour of “Please Please Me“. The album also was to include an edit of “Christmas Time (Is Here Again)“, from the group’s 1967 fan club Christmas single.

Versions of all the songs planned for Sessions would eventually see official release as part of “The Beatles Anthology” series in 1995-96, with the exception of “Christmas Time (Is Here Again)“, which was concurrently released on the “Free as a Bird” single. Bootlegs of various versions of the Sessions album made their way to the public in the late 1980s and early 1990s, some from leaks of internal EMI copies.

Fully laminated glossy sleeve may have a factory red print on back side – “Factory Sample Not For Sale” or red sticker with the same words. Record housed in custom EMI plain paper inner sleeve.


There are two versions of absolutely pure blank labels: black and white. Both versions do not have any text. Matrix numbers : Side One: ST-221-A, Side Two: ST-221-B.




No One’s Gonna Change Our World, Starline SRS 5013.

Published October 28th, 2016

Release December 12, 1969.No One’s Gonna Change Our World‘ is a charity album released in the UK for the benefit of the World Wildlife Fund. The compilation was put together by comedian Spike Milligan. It includes two tracks from Milligan and one from his Goon Show castmate Harry Secombe. It features liner notes by Philip, Duke of Edinburgh. The album is largely known by fans of The Beatles as the first release of the song ‘Across the Universe’ – the title of the album comes from a line in this song, “Nothing’s gonna change my world“. It was also the first release of the Hollies song ‘Wings’, one of the last songs they did with Graham Nash in early 1968.

Classical EMI 60s front laminated sleeve with three flaps on back side. Record housed in custom EMI plain paper inner sleeve.


Blue labels with black prints, and with Regal & Starline logos. Matrix numbers: Side One: SRS 5013 A-1, Side Two: SRS 5013 B-1.



Let It Be… Naked, Apple – Parlophone 7243 595438 0 2.

Published October 25th, 2016

From the time of its release, Let It Be was regarded as an aberration by many of those closely involved in its creation because of the involvement of Phil Spector in the final production process after the basic album had been recorded.
Over 30 yeas later, was advertised as “Let It Be as it was meant to be“, promising the original album as envisages prior to Spector’s involvement. In fact it was a brand new mix of the original tapes, produced by Poul Hicks, Guy Massey and Allan Rouse, all of whom had been involved in Anthology and Yellow Submarine songtrack projects. They created entirely new master version.

First pressing, November 17, 2003. Set include: ‘Let It Be… Naked’ album, 20-pages booklet and ‘Fly On The Wall’ 7″ single.

Unlaminated gatefold light grey glossy cover with Apple and Parlophone logos on the back side. The earliest gatefold sleeve has a misprint in the the writing credits on the back side. The words, ‘recordingis’ is written as one word. Later pressings have the corrected, ‘recording is’ as two words. Record housed in generic anti-static die-cut poly-lined dust inner sleeve without corners.







Light grey glossy labels with Apple and Parlophone logos. Matrix numbers scratched: Side 1: 5954380 1A1 SRz; Side 2: 5954380 1B1 SRz.













‘Fly On The Wall’ 7″ single. As part of the cleaning-up process, the brief jamming sequences and bits of humorous banter disappeared from the album, but this is more than compensated for by the ‘Fly On The Wall’ bonus single. 7″ sleeve has a misprint where credits are written. The words, ‘recordingis’ is written as one word.

Light grey glossy sleeve with die-cut on the back side.


Light grey glossy labels. Matrix numbers scratched: Side 1: 5954380 1A1; Side 2: 5954380 1B1.


Second pressing, 2010s. The second edition has pronounced differences: polygraphy darker, less contrast, paper thinner, gatefold sleeve has a smaller size. Difference in color is particularly noticeable on the back of the sleeve. In addition, the cover of second edition has is smaller sizes in width and height.

Unlaminated gatefold dark grey glossy cover with Apple and Parlophone logos on the back side.


Compare sizes of sleeves: size of the first edition is 32 x 31.5 cm, wide spine – 10 mm, size of the second edition – 31 x 31 cm, wide spine – 6 mm.



Dark grey glossy labels with Apple and Parlophone logos. Matrix numbers scratched: Side 1: 5954380 1A1 SRz; Side 2: 5954380 1B1 SRz.


‘Fly On The Wall’ 7″ single. Dark grey glossy sleeve without die-cut on the back side. Dark grey glossy labels. Matrix numbers scratched (hard to see): Side 1: 5954380 1A1; Side 2: 5954380 1B1.