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Published May 1st, 2007 | Edit |

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The Beatles “Rarities”, Parlophone PSLP 261 and PCM 1001.

Published April 2nd, 2020

The Beatles “Rarities”, Parlophone PSLP 261.

Release December 15, 1978. Originally included as a free addition to the 1978 boxed set, The Beatles Collection (blue box). Only rare tracks are “Across The Univers”, previously available only on the now-deleted charity album No One’s Gonna Change Our World, and the German-language version of “She Loves You” and “I Want To Hold Your Hand”, previously unavailable in Britain. In fact eight of the 17 tracks were previously available: “Long Tall Sally”, “I Call Your Name”, “Slow Down”, “Matchbox” and “I’m Down” are on the Rock And Roll Music album; “Yes It Is” and “This Boy” on Love Songs; and “Rain” on the Hey Jude album. Only four of the 17 tracks “Across The Universe”, “Komm, Gib Mir Deine Hand”, “Sie Liebt Dich”, and “Bad Boy”, are in stereo. Although the album contains very little in the way of rare tracks, it is an intelligent compilation of some of the material previously available only B sides, EPs and foreign releases.

All free additions have a dark blue sleeves with gold text on both sides. Besides the sleeve has the banner “Sampler Album Not For Sale” in the upper left corner on the back and catalog number PSLP 261. All additions have white paper EMI custom inner sleeves.

Rarities sl 1stARarities sl 1stB

1. First pressing December 15, 1978. Black label with two white-black EMI logos and silver print. “The EMI Records Ltd” printed at the start perimeter print and “Made In GT. Britain” printed at the end of the perimeter print. Matrix numbers: Side One: SPSLP 261 A-1, Side Two: SPSLP 261 B-2.

Rarities 261 1st 1978 01Rarities 261 1st 1978 02

In 1978, EMI and some of its worldwide subsidiaries, including Capitol Records, issued The Beatles Collection box set. While Capitol imported the Parlophone and Apple catalog albums placed in the box set, it chose to manufacture the bonus disc, assigning it promotional number SPRO-8969. This version of the Rarities album is similar to the EMI edition; however, Capitol replaced the German-language versions of “I Want To Hold Your Hand” and “She Lovea You” found on the British standard versions. In all likelihood, the switch was made because Capitol wanted the collection to include the standard English versions of these huge hits, which were not on any of the British albums included in the box set.

The Capitol Rarities disc was manufactured with purple labels featuring the classic Capitol dome logo. It was packaged in a dark blue paper sleeve. The front side has “The Beatles “Rarities” centered and the Capitol logo and SPRO-8969 in the lower right corner. The back side is solid blue. In addition to placing the album in the box set, Capitol pressed 2,000 copies of Rarities for promotional purposes. Matrix numbers: Side One: SPRO-1-8969 F1, Side Two: SPRO-2-8969 F1.

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2. Second pressing October 1980 until April 1984. Black label with two white-black EMI logos and silver print. “ALL RIGHTS OF THE PRODUCER” printed at the start perimeter print. Importantly, around the 11 o’clock position in the rimtext the wording is: “UNAUTHORISED PUBLIC PERFORMANCE, BROADCASTING, COPYING AND HIRING”. Instead, added “MANUFACTURED IN THE UK BY EMI RECORDS LIMITED” text at the end of the perimeter print. Matrix numbers: Side One: SPSLP 261 A-1 or -2, Side Two: SPSLP 261 B-2 or -3.

Rarities 261 2pr 1981 01Rarities 261 2pr 1981 02

3. Third pressing, end of spring 1984 until 1987. Black label with two white-black EMI logos and silver print. “ALL RIGHTS OF THE PRODUCER” printed at the start perimeter print. Importantly, around the 11 o’clock position in the rimtext the wording is: “UNAUTHORISED COPYIN, HIRING, RENTING, PUBLIC PERFORMANCE AND BROADCASTING”.MANUFACTURED IN THE UK BY EMI RECORDS LIMITED” text at the end of the perimeter print. Matrix numbers: Side One: SPSLP 261 A-2, Side Two: SPSLP 261 B-3 or -4.

Rarities 261 3pr 1987 01Rarities 261 3pr 1987 02

The Beatles “Rarities”, Parlophone PCM 1001.

Release October 29, 1979. This album was issued separately in 1979 after EMI had received complaints that the only way of obtaining this free album was to pay for the box and its duplicate copies of Beatles albums. The album has a dark blue sleeve with big note on the back side and catalog number PCM 1001. All editions have white paper EMI custom inner sleeves.

Rarities sl 2ndARarities sl 2ndB

1. First pressing October 29, 1979. Black label with two white-black EMI logos and silver print. “The EMI Records Ltd” printed at the start perimeter print and “Made In GT. Britain” printed at the end of the perimeter print. Matrix numbers: Side One: SPSLP 261 A-1 YEX 991-1, Side Two: SPSLP 261 B-2 YEX 992-2.

Rarities 1001 1st 1979 01Rarities 1001 1st 1979 02

2. Second pressing October 1980 until April 1984. Black label with two white-black EMI logos and silver print. “ALL RIGHTS OF THE PRODUCER” printed at the start perimeter print. Importantly, around the 11 o’clock position in the rimtext the wording is: “UNAUTHORISED PUBLIC PERFORMANCE, BROADCASTING, COPYING AND HIRING”. Instead, added “MANUFACTURED IN THE UK BY EMI RECORDS LIMITED” text at the end of the perimeter print. Matrix numbers: Side One: YEX 991-2 or -3, Side Two: YEX 992-3 or -4.

Rarities 1001 2nd 1981 01Rarities 1001 2nd 1981 02

Hey Jude, Parlophone PCS 7184.

Published April 1st, 2020

Release May 21, 1979. Previously producible only on export to USA and British Commonwealth of Nations, this album eventually was official released in Britain nearly nine years after appearance in the USA. The album includes most of The Beatles’ later singles released in 1968 and 1969 together with both sides of the 1966 single “Paperback Writer”. Two rather odd and out of sequence inclusions are “Can’t Buy Me Love” and “I Should Have Know Better” both from the “A Hard Day’s Night” album that were included in place of “The Inner Light” and “Get Back” even though their respective A and B sides, “Lady Madonna” and “Don’t Let Me Down”, are included.

Full laminated by Garrod & Lofthouse Ltd sleeve. White paper EMI custom inner sleeve.

HJ Sleeve BHJ Sleeve A

1. First pressing May 21, 1979. Black label with two white-black EMI logos and silver print. “The EMI Records Ltd” printed at the start perimeter print and “Made In GT. Britain” printed at the end of the perimeter print. Matrix numbers: Side One: YEX 981-1, Side Two: YEX 982-1.

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2. Second pressing October 1980 until April 1984. Black label with two white-black EMI logos and silver print. “ALL RIGHTS OF THE PRODUCER” printed at the start perimeter print. Importantly, around the 11 o’clock position in the rimtext the wording is: “UNAUTHORISED PUBLIC PERFORMANCE, BROADCASTING, COPYING AND HIRING”. Instead, added “MANUFACTURED IN THE UK BY EMI RECORDS LIMITED” text at the end of the perimeter print. Matrix numbers: Side One: YEX 981-3, Side Two: YEX 982-1.

HJ 1982 01HJ 1982 02

3. Third pressing, 1984 until 1987. Black label with two white-black EMI logos and silver print. “ALL RIGHTS OF THE PRODUCER” printed at the start perimeter print. Importantly, around the 11 o’clock position in the rimtext the wording is: “UNAUTHORISED COPYIN, HIRING, RENTING, PUBLIC PERFORMANCE AND BROADCASTING”.MANUFACTURED IN THE UK BY EMI RECORDS LIMITED” text at the end of the perimeter print.  Matrix numbers: Side One: YEX 981-3, Side Two: YEX 982-1.

HJ 1988 A

4. Fourth pressing, 1988 – early 90’s. Black label with silver Parlophone logo and silver print. “ALL RIGHTS OF THE PRODUCER” right to left (reversionary) printed at the start perimeter print. Importantly, around the 12 o’clock position in the rimtext the wording is: “UNAUTHORISED COPYIN, HIRING, RENTING, PUBLIC PERFORMANCE AND BROADCASTING”.MANUFACTURED IN THE UK BY EMI RECORDS LIMITED” text at the end of the perimeter print. Matrix numbers: Side One: YEX 981-3-1-1, Side Two: YEX 982-1-1-1.

Variation A. Black labels with white prints.

HJ 1990s AHJ 1990s B

Variation B. White labels with black prints. This is vary rare label variation. We do not know what it is, misprint or promo copy. Maybe that’s just part of the circulation which was manufactured with white labels. This edition has a standard sleeve with the barcode on the back.

HJWL01

The Beatles Ballads, Parlophone PCS 7214.

Published March 31st, 2020

Released October 20, 1980. Most of these tracks appear on Love Songs. Although a better compilation album than Love Song, it contains nothing new, no previously unreleased tracks or even stereo versions of formed mono recordings. A remixed version of “Norvegian Wood” is included with the backing track now on the right-hand channel instead of on the left and the vocals mixed into the center. Also, someone in the depths of EMI seems to have confused and reversed the stereo on “Yesterday”, “You’ve Got To Hide Your Love Away”, “She’s Leaving Home” and “Here, There And Everywhere”.

The album sleeve manufactured by Garrod & Lofthouse ltd,

BB Sleeve 1BB Sleeve 2

Promotional test pressing for BBC radio (London).

1. First pressing October 20, 1980. Black label with two white-black EMI logos and silver print. “The EMI Records Ltd” printed at the start perimeter print and “Made In GT. Britain” printed at the end of the perimeter print. Matrix numbers: Side One: PCS 7214-A1 (or A2), Side Two: PCS 7214-B1 (or B2).

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2. Second pressing 1981 – 1984. Black label with two white-black EMI logos and silver print. “ALL RIGHTS OF THE PRODUCER” printed at the start perimeter print. Importantly, around the 11 o’clock position in the rimtext the wording is: “UNAUTHORISED PUBLIC PERFORMANCE, BROADCASTING, COPYING AND HIRING”. Instead, added “MANUFACTURED IN THE UK BY EMI RECORDS LIMITED” text at the end of the perimeter print. Matrix numbers: Side One: PCS 7214-A3, Side Two: PCS 7214-B2.

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3. Third pressing 1988 – early 90s. Black label with silver Parlophone logo and silver print. “ALL RIGHTS OF THE PRODUCER” right to left (reversionary) printed at the start perimeter print. Importantly, around the 12 o’clock position in the rimtext the wording is: “UNAUTHORISED COPYIN, HIRING, RENTING, PUBLIC PERFORMANCE AND BROADCASTING”.MANUFACTURED IN THE UK BY EMI RECORDS LIMITED” text at the end of the perimeter print. Matrix numbers: Side One: PCS 7214 A-4-1-1-, Side Two: PCS 7214 B-3.

photos of Ross Penman.

Reel Music, Parlophone PCS 7218.

Published March 30th, 2020

Released March 12, 1982. The album cover, made in Garrod & Lofthouse ltd, that depicts The Beatles in their five different roles as film stars arriving at a cinema, reflects the album’s contents and indicates a rapidly produced piece of merchandise. The sleeve notes consist of a six-paragraph potted history of The Beatles and their film career. These words are aimed mainly at new, young Beatles fans, many not even born when the fab four broke up. For the fans’ benefit, the sleeve also credits the individual Beatles as composers, the first album to do so since With The Beatles in 1963.

MM-1MM-2

The inner sleeve has a further selection of stills and other photographs.

MM-3MM-4

The album is complete with a 12-page Souvenir Program that contains a brief resume of each of the five Beatles movies along with selected stills.

pages 1 & 12:

MM-5MM-6

pages 2 & 3:

MM-7MM-8

pages 4 & 5:

MM-9MM-10

pages 6 & 7:

MM-11MM-12

pages 8 & 9:

MM-13MM-14

pages 10 & 11:

MM-15MM-16

1. First pressing March 12, 1982. Black label with two white-black EMI logos and silver print. “ALL RIGHTS OF THE PRODUCER” printed at the start perimeter print. Importantly, around the 11 o’clock position in the rimtext the wording is: “UNAUTHORISED PUBLIC PERFORMANCE, BROADCASTING, COPYING AND HIRING”. Instead, added “MANUFACTURED IN THE UK BY EMI RECORDS LIMITED” text at the end of the perimeter print. Matrix numbers: Side One: PCS 7218-A1, Side Two: PCS 7218-B1.

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